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Agalloch To Tour This Summer

Unless you live in a huge city, seeing Agalloch is like pulling teeth. Hell, I’m flying out to Baltimore next week for Maryland Death Fest to catch them, among others. Not that I’m blaming the band for it though; they have lives and jobs back home and that’s something to respect. When they tour, they usually don’t play many dates.

So with that in mind, count yourself lucky if their summer tour comes close to your neck of the woods. Here are the dates:

7/12 Seattle, WA @ The Crocodile
7/13 Vancouver, BC @ Rickshaw Theatre
7/20 Chicago, IL @ Reggie’s Rock Club
7/22 Cleveland, OH @ Beachland Ballroom
7/23 Toronto, ON @ TBA
7/25 Cambridge, MA @ Middle East Downstairs
7/26 Brooklyn, NY @ Music Hall of Williamsburg
8/1 Atlanta, GA @ The Earl
8/3 New Orleans, LA @ One Eyed Jacks
8/5 Austin, TX @ Red 7
8/9 San Diego, CA @ The Casbah
8/11 San Francisco, CA @ Great American Music Hall

There’s a possibility of further dates being announced, as there’s quite a bit of gap between some of those days. I doubt a touring band would go nearly a week without a gig on the other side of the country if they could help it. Keep up with them on Facebook just in case.

[via Metalsucks]

- JR

This year in metal has started out with a bang. With new releases from Alcest, Every Time I Die, Meshuggah, and many more on the way. It looks like it is going to be a hell of a good year. Or so it would seem. Though, I’ll be honest, I’ve been less than happy with the majority of releases from the first quarter of 2012. Maybe I was just so spoiled by 2011 and 2010, but it just feels like this years releases have been either really tame and bland, or just plain bad. This sort of revelation has caused me to stray away from the majority of metal with a dismissive wave of my hand. I’ve been finding myself seeking musical pleasure in other avenues, or for some periods of time eschewing the art-form entirely. I don’t like this trend in myself, and in actuality it disgusts me. I want to love the music that’s coming out, and I want to be able to enjoy the albums that I was initially excited to hear when they were being announced. However, that does not seem to be the case so far.

Now, this isn’t the first time this has happened, there were periods from the past two or three years that I experienced a similar sensation. In order to fix these moments of lull I turn to older albums and songs; music that created that original spark for the metal aesthetic so long ago. It seems I visit these songs less and less when I’m actually enjoying new releases, but when new music just doesn’t do the trick I dust these songs off and let the memories and emotions flood back into myself, and rediscover my “roots”. Here are the five songs that I always turn to when my metal tastes are in need of some defibrillator. Beware, these may shock you (is that a pun?). Or not. Whatever.

5. Amorphis – ‘Skyforger’

Skyforger is a fairly modern album, being less than three years old and all, but the songs on it hold a very significant sway for me. This was the first album by Amorphis that I was introduced to, and it took me about 50 seconds to realized that I loved the band. The entire album is top-notch progressive-power metal, but the title track is the keystone to it all. It just stands above the crowd with the best melodies and power from any song on that album, and indeed the band’s entire career. You may disagree with me, but this is Amorphis’ opus as a band.

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I was pretty intrigued when I saw the above trailer for Asking Alexandria‘s short film ‘Through Sin and Self-Destruction’. The concept of a band starring in a short film produced by the label isn’t a common occurrence in the scene and I was curious to see if I would love or hate it. The film-buff in me was very excited at first, because despite our opinions on their music, I really wanted to see where they would take the narrative.

The press release boasts that nothing of this sort has been done since the legendary Guns N’ Roses trilogy, referring to three music videos they released that had vague plot similarities. For Ash, being the huge Guns N’ Roses fan he is, this whole thing makes sense. The bummer is that it’s not a short film at all. It’s three music videos compiled into a large, glorified drug montage set to AA’s music. There is hardly any dialogue with the brief exception of Danny’s overdose scene.

Whoops. Just spoiled 80% of the story.

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Josh Scogin of The Chariot Gets Weird

The Chariot have always been well received with their signature riff injected and feedback laden brand of metalcore as well as their over the top high-octane live shows. Typically, their albums are met with ravishing reviews and we have come to expect nothing but excellence from the quintet. So it is no surprise that we are a little more than excited when Josh Scogin spoke to altpress.com about their fifth full length effort One Wing.

In the interview he talks about the band “getting weird” and we can only speculate what he means by this. If we though Dan Smith’s guest appearance on “David De La Hoz” was weird, then what is weird to them?

“It’s kind of funny, this one’s probably the weirdest record we’ve ever done. We’re always writing, but when we officially started writing for this record, we started it off with the idea of, “Let’s get weird.” We tried not to have any rules, tried not to have any borders or boundaries but even the little ones we did have, we threw them out the window. Then when we came into the studio, the first thing we told Matt was, “Let’s get weird with it.” [Laughs.] We just want it to be interesting for us—not that our other records aren’t—but it’s very eclectic and a very different record for us. The energy and high pace is still there but it’s always a building process.

With Long Live, we were very impulsive. We’d come in with a finished song, but if we felt like something could be better, we’d change it and never look back. With this one we took that to the next level—we came in almost knowing that these songs were going to get more different, and as we played them and practiced them for weeks beforehand, over and over, even though no one else had heard them, we started to get bored and tired of certain parts. So when we got into the studio, it’s only natural to start feeling bored toward a part or being open to changing things, so that’s where it opens the door to get weird with it and bring something interesting to it that brings our attention back to it.

We always kind of joke that we’re all A D D, especially in this generation, and I feel like we’re the same as everyone else. The more we play it—we’ve now heard these songs thousands of times–we start to go down these paths where we don’t know where it’s going to go and we don’t know if it’s going to sound good, but at the end of the day, at least we went down that path to see what happens. Being impulsive like that has always been a strong suit of ours and something we enjoy doing, because when you hear a final product—especially doing it song-by-song—it keeps it fresh for us, and when we’re about go to that tour where we’re going to be playing new songs, it’s still as brand new as it can be.”

Needless to say, our eyes and ears will be on the look out for The Chariot’s “weirder” fifth album One Wing, due out later this year on Good Fight Music.

[Via: The PRP]

-CD

 

Between The Buried And Me Are In The Studio

The title says it all, really! Between the Buried and Me hit the all too familiar Basement Studios in Winston-Salem, NC this week to record their highly anticipated The Parallax 2 with long-time producer Jamie King. I am beyond excited, and here’s why:

Keep up with BTBAM on Facebook as they post photos of the progress, and get unbelievably stoked. Expect the record to come out this fall, likely not too terribly long after Summer Slaughter Tour.

- JR

It seems that THE go-to stop in the European festival circuit for fans of prog and djent has got to be Euroblast. Over the years, the German festival has hosted genre giants and promising up-and-comers, and the lineup gets impressive by the year. Here’s what we know so far for the eighth edition of the fest, via Got-Djent:

Uneven Structure (FR)
The Interbeing (DK)
Akeldama (US)
Synthetic Breed (AU)
In-Quest (BE)
Joncofy (UA)
Humanity’s Last Breath (SE)
Nexus (ES)
Animals As Leaders (US)
Scar Symmetry (SE)
TesseracT (UK)
Circle of Contempt (FI)

I wish I could go this year, but I’ll try to set my sights on 2013 as a graduation gift for myself. We’ll see where it goes; the trip out to Cologne and to see the festival would likely  cost me around $2.5-4k, depending on how comfortable I want to be. For those lucky enough to go this year though, enjoy it! Report back with your findings!

More bands are expected to be announced soon. Limited early-bird tickets are now available for 89 euros, or roughly $114. Definitely a great price for such an event!

- JR

Travis Ryan Is A BEAST

Unless you’ve been living under a rock, you’re likely familiar with the new Cattle Decapitation record Monolith of Inhumanity by now. I mean, it seems that just about everyone (myself included) absolutely loves the new Cattle Decapitation record. A definite highlight of the record is vocalist Travis Ryan, who is hands down one of the best vocalists in death metal. He’s versatile and downright disgusting, and he has a way of infusing melody into Cattle Decap’s brand of deathgrind in a way that is still absolutely brutal. Want proof? The group has recently released the above studio video showcasing some of Travis’ vocal abilities, and it’s quite interesting to watch.

You can hear Travis and the band’s best work yet with Monolith of Inhumanity, out now on Metal Blade Records.

- JR

Alternate Ending; Revisiting Woods 5

Woods of Ypres

Woods 5: Grey Skies & Electric Light

01. Lightning & Snow
02. Death Is Not An Exit
03. Keeper Of The Ledger
04. Traveling Alone
05. Adora Vivos
06. Silver
07. Career Suicide (Is Not Real Suicide)
08. Modern Life Architecture
09. Kiss My Ashes (Goodbye)
10. Finality
11. Alternate Ending

[04/24/12]
[Earache Records]

Back in February I reviewed the latest and probably final record from Canadian doom band, Woods of Ypres. It was both a review and a final piece of mourning for the passing of founding member David Gold, who died in a car accident late last year. I discussed the various merits of the album, and in the end claimed it was the band’s strongest effort, and easily deserving a five out of five on the site.

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Whitechapel Studio Updates: Now Viral

Whitechapel are among my favorite bands, playing one of the more cohesive styles of deathcore out there, not laden with breakdowns or chugs. For some reason, they have always stepped it up from record to record, but still keep their signature sound. With the majority of bands heading down the “djent” path these days, it’s very relieving to know Whitechapel are staying true. It also seems, by this update, that the new music has a death metal vibe to it, and I like it a lot. There are also hints of some acoustic elements, which translated really well with ‘End Of Flesh’ on their Recorrupted EP from last year.  Check out the new studio update above!

Whitechapel is due out on Metal Blade Records June 19th.

-SS

I haven’t been able to really appreciate American black metal group Abigail Williams until they released their latest opus Becoming earlier this year. I’m a vinyl collector myself, and while I don’t always enjoy black metal, I make an effort to buy the black metal records I enjoy on vinyl. I was pretty bummed that Becoming wasn’t initially released on vinyl, but now I’ll be able to throw my money at my computer screen.

Indie label Blood Music will be issuing a very limited run of vinyl pressings for not only Becoming (pictured above), but for their debut record Legend. Here’s the information:

These deluxe, limited editions were remastered for vinyl by frontman Ken Sorceron from the original 24-bit mixes and include EIGHT bonus tracks in total.  They will be limited to:

Color 180-gram: 75 copies USA/75 copies Rest of World
Black 180-gram: 75 copies USA/75 copies Rest of World

Pre-orders go live on May 22nd at 8PM Finnish time (1PM EST). The vinyl will be released on June 22nd.

A 100 copy run of the records will be available on standard weight black vinyl in Europe shortly afterwards.

So you can bet I’m gonna be buying that gorgeous red/black splatter vinyl above. You can check it out at Blood Music.

- JR


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